Cultural Repressiveness in British Raj as depicted in Sea of Poppies and Things Fall Apart

Abstract

The present paper explores the theme of cultural repressiveness during the British Raj as depicted in two prominent literary works, "Sea of Poppies" by Amitav Ghosh and "Things Fall Apart" by Chinua Achebe. Both novels provide poignant narratives that shed light on the devastating impact of British colonialism on indigenous cultures and the resulting loss of cultural identity. In Sea of Poppies, Ghosh takes readers on a journey through the opium trade in India during the colonial era. Amidst this backdrop, the novel delves into the clashes between the dominant British colonial powers and the diverse range of characters from various cultural backgrounds. It vividly illustrates how the British administration sought to suppress local cultures, languages, and traditions. Through the characters' experiences, the novel highlights the erosion of cultural identity and the profound disconnection felt by those who were subjected to the repressive forces of colonial rule. Similarly, Things Fall Apart by Achebe explores the impact of British colonialism in Nigeria. As the British colonial powers exert their influence, traditional African customs, beliefs, and systems are undermined and marginalized. Achebe poignantly captures the anguish and turmoil faced by Okonkwo and his community as they grapple with the erosion of their cultural heritage and the loss of their autonomy. Both novels offer valuable insights into the complex dynamics of cultural repressiveness under the British Raj. Through their evocative storytelling, Ghosh and Achebe highlight the lasting consequences of cultural repression, emphasizing the importance of understanding the historical context and the profound impact of colonialism on indigenous cultures.